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Wireless Mics
Not just for RF any more!
Breaking
new ground with features that will improve the work flow of acquiring, storing and distributing location audio while opening up a new territory of creative options for every post editor.
Check it out
Zaxcom sold the first broadcast quality all-digital wireless mic system in 2004. Since then, Zaxcom’s digital wireless
engineering marvels has catapulted them to the top of the list for reliably clean and superior sounding wireless microphone systems. TRX-900 Fact Sheet
Three primary problems with ordinary wireless microphones:
- Between new digital TV stations popping up, and the FCC auctioning off the RF spectrum between TV
channels (known as “white space” which we now use for wireless microphones), reliably clean RF channels are getting harder to find. Come February 2009, when all analog TV stations must switch over the
digital, no currently used wireless microphone can be guaranteed to work.
- If you travel with your wireless, a set that works in D.C can not be relied on to work in N.Y , Chicago, or L.A because the channels used for UHF television in each market may be
different.
- Traditionally, if your video project has more than two mic wearers on camera, you either have to mix them down to two camera tracks, split tracks between multiple cameras, or
record double system to a separate multitrack audio recorder.
Never Mind
First of all, being a digital transmitter, if you get any audio at all, it will sound pristine. No noise ups, zips, fips, pops,
clicks, nothing you don’t put into it. If there is enough interference on the channel to desensitize the receiver to the point it cannot decode the bits, it simply mutes.
Now for the good stuff! The new, smaller, more power efficient TRX-900 digital wireless transmitters can optionally record digital audio, right inside the transmitter. Now, every mic can record an iso track of itself. Up to 12 hours of file based, 24bit /48kHz digital audio on a single mini-SD card with time code! Whether you use the RF as a primary or backup, you will
have clean iso tracks of each mic. Recording can be either continuous or remotely controlled by either time code start/stop (as in record run), or manually.
Editors - Get ready
Even now, camera crews are starting to deliver video files from camera disks. Now, sound files can be delivered as well. Move the sound files from the cards to
your computer, run them through the Zax-Convert program to output them as SMPTE time code stamped Broadcast WAV files or MP3 files in your choice of bit & sample rates. Now these audio files will fall into your editing
system time line in sync with video. Now you can mix, EQ, mute, and process each mic individually or the on-set audio mixer’s output prior to transmission to the camera. You can also email the MP3 files for
transcription.
Stereo Camera Link & Transcription Recording
When used with the optional STA-100
Stereo Input Adapter, the TRX-900 can transmit two line level audio channels to a camera or anywhere else & simultaneously record them in the transmitter with time code from the camera or the internal generator. In addition to converting these recording files for editing, they can be converted to MP3 files for transcription. Printable STA-100 Brochure
Go Live with the built-in IFB Receiver!
That’s correct, the TRX-900 & TRX 990 are transceivers! Now you can get the best damn sounding wireless transmitter plus an IFB receiver in one small integrated belt pack. Plug your earpiece right into the transmitter. What on camera personality won’t love that?
Time Code & Audio Return
Two additional transmitter models send time code, IFB /return audio, and remote
control signals back to the TRX transceivers. The IFB-800 is as small as the TRX-900. It can be mounted on a camera, in a mixer bag, in a studio, or anywhere else. It sends audio (camera confidence, IFB, etc) and time code
back to TRX transceivers. The IFB-800 can remotely control recording record start /stop plus other transmitter functions such as mic input gain and much more. Transceivers can be set up into groups for reception of audio
and control signals
As a stand-alone recorder or recording transmitter, time code can be jammed directly into a TRX-900, 990 or ZFR-100. The internal generator is accurate to 1 frame in 5 hours.
Hand Held Mic /Voice Overs
Two options are available if a hand held mic is
preferred. The TRX-700 MMT is a plug-on Mic Mounted “Cube” Transmitter that will supply 48V phantom power on its XLR connector. Simply plug in any dynamic or condenser mic and go. The TRX-800 Hand Held
Transmitter utilizes a standard or modified Shure mic head and records as well.
Voice Over Artists will really appreciate that NO OTHER EQUIPMENT is required to record a high quality track other than a TRX-800 or ZFR-800.
Roaming Announcers, Mic Booms, Sideline EFX,
You’ll love the TRX-990. With two XLR 48V Phantom powered balanced mic /line inputs, optional
250mW output power, and Return Audio w/ beefed up headphone amp, this versatile beltpack packs five different systems in to a single box. The two inputs can be set up either as stereo, or mono plus comm’s channel, and
the headphone amp can mix the inputs with the return channel. TRX-990 Fact Sheet
Recording only version
Variations on the mini-beltpack TRX-900 and the Hand Held TRX-800 transceivers are the ZFR-100 & ZFR-800
one or two channel* digital audio recorders (no transmitter). The ZFR-100 has audio & TC inputs* with internal or external DC power*. Both units can receive wireless TC & audio from the IFB-800, and are remote controllable.
*Requires STA-100 module. Single channel recording w/ internal power otherwise.
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